How To Shoot Video That Doesn`t Suck - Steve Stockman.epub
2) Shoot People, Not Scenery: Think about why you’re shooting vacation video in the first place—to remember. The Empire State Building will probably look exactly the same 10 years from now, In case it doesn’t, thousands of great photographers have already shot it better than you can. Steve stockman how to shoot video that doesnt suck if you want your video to be. Suck advice to make any amateur look like a pro epub adobe drm can be read. 5 tips to help you shoot great video from writer/director Steve Stockman's new book, 'How to Shoot Video that Doesn't Suck.'
'Stockman has packed a veritable film school between the pages of this highly informative, yet entertaining book. Very highly recommended.'
--Videomaker Magazine
'Great tips from a video expert.'
--PC World
'Whip-smart and funny.. teaches readers how to think about film and reveals the why and when behind techniques; there is next to zero tech or tool talk.'
How To Shoot Video That Doesn't Sucker
--Library Journal
'His simple-to-follow guide takes readers step-by-step through the film- and video-making process'
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--Kirkus Reviews
'Like two years of film school in 248 pages. I've been in the movie biz for twenty-five years and I still learned a ton from Steve Stockman's How to Shoot Video That Doesn't Suck. I guess that means either I'm pretty dumb or Steve is really smart.'
--Steven Pressfield, Author of The War of Art and The Legend of Bagger Vance
'Stockman has packed a veritable film school between the pages of this highly informative, yet entertaining book. Very highly recommended.'
--Videomaker Magazine
'Great tips from a video expert.'
--PC World
'Whip-smart and funny.. teaches readers how to think about film and reveals the why and when behind techniques; there is next to zero tech or tool talk.'
--Library Journal
'His simple-to-follow guide takes readers step-by-step through the film- and video-making process'
--Kirkus Reviews
'It's all in here--family video, business video. . . even college application videos. What's not in here? A bunch of technical stuff nobody understands. We can all shoot video on our smart phones or digital cameras--the question is, can we shoot video that doesn't suck?'
--Joe McCambley, Co-founder/Creative Director, The Wonderfactory
'The odds are good that some of you suck at video. . . Steve is one of the smartest media minds in the game. This book is the perfect gift for any would-be filmmaker with the need to suck. . . less.'
--Rob Barnett, Founder/CEO, www.MyDamnChannel.com
'Stockman skipped past all the technical crap about how to use a camera and cut right to the chase: how do you shoot a video somebody else will WANT to watch? The only thing missing is a time machine so I could reshoot fifteen years of sucky birthday party and school play videos.'
--David A. Goodman, Executive Producer/Head Writer of Family Guy
PLOT SUMMARY?~ Kudo Shinichi is a seventeen year-old high school detective whom people call the “Modern Sherlock Holmes.” However, one night after a date with his childhood sweetheart, Ran, Shinichi witnessed an illegal trade and, caught off his guard, was knocked unconscious and fed a drug that was supposed to kill him but he woke up and found himself shrunken to a seven year-old. Episode 001 [=. In order to track down the men who did this to him, Shinichi hid his identity and lived with Ran, whose father happened to be a hopeless detective, and with that came a series of murders and mysteries that he must solve. The best of detective conan 3 rar.
Video viewers fall into the same two categories. “If/then” viewers look at your comedy-sketch video and don’t get the humor. They’ll tell you it would be a lot funnier if the rabbi were a quarterback and it took place in a locker room instead of a bar. And if you maybe changed the punch line to be something about bikinis instead of ducks. “If/then” viewers would love your video—if only it were actually some other video. Viewers who understand what you’re doing and accept it give you a very different critique. They’ll get the joke and think it’s funny, but ask why it takes so long for the duck to respond to the bartender. They’ll let you know that they think the sound of the bar blender competes with the punch line a bit too much, and ask if you have a shot of the rabbi and the duck walking into the bar together to help set the scene. “As/is” viewers help you find problems and help you solve them. They help you make your video the best version of itself it can be.
When you give someone your video to look at, consider how you feel about their feedback. If you walk away inspired and full of new ideas, you’ve found an “as-is” critic. Once you’ve found one, treat them well. They’re rare! Be sure to let them know how much you appreciate their feedback. You’ll want them to enjoy it and do it again. If, however, the feedback you get makes you feel like a loser and doubt the whole project, you’ve found an “if/then” critic. They may be good friends, or even married to you, but you should never show them your work in progress